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理查德•鲍尔斯《快乐基因》中的技术理性思考

论文作者:留学生论文论文属性:硕士毕业论文 thesis登出时间:2024-08-09编辑:vicky点击率:54

论文字数:36566论文编号:org202408071556551828语种:英语 English地区:中国价格:$ 66

关键词:理查德•鲍尔斯技术理性艺术论文

摘要:本文是一篇英语文学论文,通过分析小说,本文认为技术在提供更好生活的同时,也改变着人们的生活方式和思维模式。但是对技术的过度依赖必将导致人的异化。

本文是一篇英语文学论文,本文试图从马尔库塞的“技术理性”这一理论出发,通过文本细读的方法分析技术理性在《快乐基因》中如何实现统治的合理性及其对人性造成的异化,探讨小说中人物对技术理性的挑战,挖掘小说呈现出的技术与艺术之间的关系,认为技术与艺术相辅相成,共同促进人与社会的发展。

Chapter One Technological Rationality as a New Form ofIdeology

1.1 Collusion of Technology and Capital

In Dialectic of Enlightenment,Horkheimer and Adorno implicate that the“technicalrationality today is the rationality of domination”(95).And technology“aims to produceneither concepts nor images,nor the joy of understanding,but method,exploitation of thelabor of others,capital”(2).In other words,in advanced industrial societies,technologyfunctions as a tool employed by capitalists to safeguard their interests.When individualsimmerse themselves in an overwhelming pursuit of material possessions,objects andtechnology become deeply ingrained as the prevailing ideology in society.Therefore,technological rationality has built a coordination between economics and technology,with power residing in the hands of capitalists.Consequently,scientific entrepreneurs in the novelsuch as Thomas Kurton may appear to be at the forefront of new technological advancements;however,they are ultimately subservient to capital.And Thassadit Amzwar,the protagonist ofthe event of happiness gene,gradually loses her dominance over her body and becomes acommodity.The technological society becomes the society of objects.“This fetishistic logic is,strictly,the ideology of consumption”(Baudrillard 60).

英语文学论文怎么写

1.2 Deception of Mass Media

The most dangerous aspect of technological rationality is that it can make the will ofcapitalists easily penetrate into the public consciousness without being discovered,so thatpeople are not aware of their being manipulated.The culture industry,which is thecommodification and standardization of mass culture,is a great catalyzer of dominance.InThe Culture Industry,Adorno makes it clear that the culture industry serves as a form ofinstrumental rationality(11),“which is adept at promoting the right attitudes and which hasentered into alliance with reification insofar as it proffers precisely for a disenchanted world”(61).In a developed technological society,it constantly propagates the infinite possibilities oftechnology for men’s future and draws their attention to the welfare brought by technology,while“removing the thought that there is any alternative to the status quo”(Adorno 10-11).In this way,technological rationality realizes its control of individuals’consciousness.Andthrough mass media,capitalists convey their spirit and voice to them without beingquestioned.Thus,it realizes the rationality of manipulation and promotes the legitimacy ofobjectification.

And as Adorno claims,culture industry“is one of anti-enlightenment[...which]becomesmass deception and is turned into a means for fettering consciousness.It impedes thedevelopment of autonomous,independent individuals who judge and decide consciously forthemselves”(106).In other words,instead of showing them the world as it really is and theevents that truly matter to the future of human,the mass media work as the tools tomanipulate people’s minds.As a result,the public,misled by mass media,is losing their ownjudgment.

Chapter Two Alienation under Technological Rationality

2.1 Blindness to True Happiness in Life

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