英语论文网

摘要：本文是一篇英语论文范文，本文试图从胡庚申提出的生态翻译学视角出发，以《西游记之大圣归来》英译字幕为案例，剖析电影字幕原文和译文不同的翻译生态环境，从语言维、文化维、交际维的层面评析英文译本的优劣，并综合评价译文的“整合适应选择度”，探讨国产动画电影英译字幕在生态翻译学视角下的实用翻译策略，以期完成最高的译文“整合适应选择度”，帮助更多的中国电影“走出去”。

Micro Translational Eco-environment ................................ 17

Conclusion ................... 41

Chapter Four A Case Study of Monkey King：Hero Is Back

4.1 The Translational Eco-environment of Monkey King：Hero Is Back

The translational eco-environment refers to the world composed of the original text,source language,and target language,namely language,communication,culture,society,etc.The translational eco-environment is a collection of multiple factors that affect translators’optimal adaptation and optimal selection.This section will introduce the translationaleco-environment of the film Monkey King：Hero is back from both micro and macroperspectives.

4.1.1 The Macro Translational Eco-environment

The Macro Translational Eco-environment is closely related to factors such as thedevelopment of the economic and cultural environment,the level of social productivity,andthe formulation and implementation of national policies.Professor Fang Mengzhi ofShanghai University defines the translational eco-environment as the sum of all externalconditions that affect the survival and development of the translation subject.Professor HuGengshen believes that translation is the selection activity of translators adapting to thetranslation ecological environment.Translators occupy a dominant position in the translationprocess,and the impact of the translational eco-environment on them cannot be ignored.

英语翻译论文参考

Conclusion

Along with the process of globalization,if China wants to thoroughly integrate into andaffect the world,except its rise in the political and economic fields,its advance in thecultural field is of equal significance.China can improve its cultural industry strength andenhance cultural self-confidence through accelerating the development of cultural industriesand promoting the spread and influence of Chinese culture around the world.As one of thekey approaches of communication in visual culture,animation has gradually become auniversal language with international influence and dissemination due to its unique affinity.It is the most active art form in the world today that reflects the cultural scenes of differentcountries and regions,and neither adults nor children can avoid the irresistible magicbrought by it.

Unlike other types of movies,animated films have their unique characteristics in termsof language,emotions,and audience engagement.It is crucial for translators to effectivelyconvey these elements in the target language.In this article,guided by the principles ofEco-translatology,the author analyzes the subtitling translation of the animated film MonkeyKing:Hero Is Back.Drawing upon the core concepts of translation ecological environment,adaptation and selection,and three-dimensional transformation,an overview and analysis ofthe English subtitles for the film are provided.The examples selected from the animated filmMonkey King:Hero Is Back are distinctive and representative,including terms formythological characters,four-character idioms,proverbs,and culturally loaded words.

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