了不少问题,提供了解决新老问题的新思路和新启示。本文着眼于语言-语用模因的复制和传播规律,因此通过小至词素大至语篇的例证,指出现实世界的模因复制基本上有(社会)语用的和反(社会)语用的两类,本文着重论述了原模因和模因变体的“同异关系”合适与否取决于新旧模因宿主(交际者)在MPA调控下能否攫取一种“同构/变异取向度”的适度、平衡的和谐美。一个模因在复制和传播中与其模因(域/复合体/网)变体是一种什么关系呢?应该是在新旧模因宿主的MPA的调节下,在模因生存的必要性、目的性、新老语境的特点等语用参数合力作用下,形成的一个共时的(横向的)和历时的(纵向的)具有和谐美的互相补充、同构/变异取向度平衡的、和谐而且美的曲线,而一个模因域或模因复合体,乃至一个或更多的模因域网,就呈现出一个纵横交错的平衡、和谐、美丽的网。最后我们分析了一些极端的模因变异和识解困难的情况。当然,行文难免主观性、片面性,虚心求教于大方。
[1] 出版于1933年。(看张禹九《空谷足音——格特鲁德·斯泰因传》,北京:中国文联出版社,2002)
[2] 翁显良译,见王寅(2005)。
[3] SISU是下文所说两所外语院校的英语校名的首字母缩写,分别为Shanghai/Sichuan International Studies University。由于川外先注册,据说“上外”也自称“SHISU”。
[4] 如剧本“Pygmalion”第3幕Liza对Higgins教授说“Well, thats a mercy, anyhow.”。不论是伦敦的Penguin Books还是Constable and Company Ltd.,还是爱丁堡的R. & R. Clark, Ltd,出版他的剧本都绝对高保真地复制这个文学模因。
[5] 该例借自何自然(2005)。
[6] 下载于(2005-10-6)。
[7] 他们认为唱歌对于鸟类和人类都具有很高的(系统)发生(phylogenetic/developmental)的价值。唱歌是现代人语言和文化形成之前的“预适应”(preadaptation)。
[8] 见王寅(2005b)。
主要参考文献:
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