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(4) Army and navy
The large part that war played in English affairs in the Middle Ages, the fact that the control of the army and navy was in the hands of those who spoke French, and the circumstance that much of English fighting was done in France all resulted in the introduction into English of a number of French military terms. The art of war has undergone such changes since the days of Hastings and Lewes and Agincourt that many words once common are now obsolete or only in historical use. Their places have been taken by later borrowings, often likewise from French, many of them being words acquired by the French in the course of their wars in Italy during the sixteenth century. Nevertheless we still use medieval French words when we speak of the army and the navy, of peace, enemy, arms, battle, combat, skirmish, siege, defense, ambush, stratagem, retreat, soldier, garrison, guard, spy, and we have kept the names of officers such as captain, lieutenant, sergeant. We recognize as once having had greater significance words like dart, lance, banner, mail, buckler, hauberk, archer, chieftain, portcullis, barbican, and moat. Sometimes we have retained a word while forgetting its original military significance. The word “Havoc!” was originally an order giving an army the signal to commence plundering and seizing spoil. Verbs like to arm, array, harness, brandish, vanquish, besiege, defend, among many, suffice to remind us of this important French element in our vocabulary.
(5) Fashion, meals and social life
That the upper classes should have set the standard in fashion and dress is so obvious an assumption that the number of French words belonging to this class occasions no surprise. The words fashion and dress are themselves French, as are apparel, habit, gown, robe, garment, attire, cape, cloak, coat, frock, collar, veil, train, chemise, petticoat. So too are lace, embroidery, pleat, gusset, buckle, button, tassel, plume, and the names of such articles as kerchief, mitten, garter, galoshes, and boots, Verbs like embellish, and adorn often occur in contexts which suggest the word luxury, and this in turn carries with it satin, taffeta, fur, sable, beaver, ermine. The colors blue, brown, vermilion, scarlet, saffron, russet, and tawny are French borrowings of this period. Jewel, ornament, brooch, chaplet, ivory, and enamel point to the luxuries of the wealthy, and it is significant that the names of all the more familiar precious stones are French: turquoise, amethyst, topaz, garnet, ruby, emerald, sapphire, pearl, diamond, not to mention crystal, coral, and beryl.
The French-speaking classes, it would seem, must also be credited with a considerable adornment of the English table. Not only are the words dinner and supper French, but also the words feast, repast, collation, and mess (now military). So, too, are appetite, taste, victuals, viand, and sustenance. One could have found on the medieval menu, had there been one, among the fish, mackerel, sole, perch, bream, sturgeon, salmon, sardine, oyster, porpoise; among meats venison, beef, veal, mutton, pork, bacon, sausage, tripe, with a choice of loin, chine, haunch, or brawn, and with gravy included; among fowl, poultry, pullet, pigeon, and various game birds mentioned below. One could have pottage, gruel, toast, biscuit, cream, sugar, olives, salad, lettuce, endive, and for dessert almonds, and many fruits, including raisin, fig, date, grape, orange, lemon, pomegranate, cherr
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