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狂欢与宣泄:论《浮士德博士的悲剧》中狄俄尼索斯式的庆祝活动 [3]

论文作者:留学生论文论文属性:硕士毕业论文 thesis登出时间:2024-08-17编辑:vicky点击率:66

论文字数:论文编号:org202408121703201617语种:英语 English地区:中国价格:$ 66

关键词:浮士德博士的悲剧狄俄尼索斯精神悲剧美学

摘要:本文是一篇英语论文,论文结合希腊悲剧特征与尼采的悲剧美学,探讨狄俄尼索斯精神在《浮士德博士的悲剧》中的突出表现。这种精神在剧中一系列仪式、表演、权力展示以及语言运用中的发挥,创造了一种混乱和解放的感觉,唤醒并赞美人类生活中非理性和激情的一面,使得这些场景呈现得更加清晰、突出和直观;正是由于因此产生的轰动和震撼效果,使得浮士德陶醉和沉浸于一种超越理性的喜悦之中。

e divine realm. 

In Greek tragedy, collective rituals play a significant role in shaping the dramatic structure, themes, and characters of the plays. These rituals are often woven into the fabric of the narrative and serve various functions within the context of the performance. 

In Berberović’s article he elaborates on Kowalzig’s point of view: Ancient Greek rituals had a vital narrative and a performative aspect, put together as myth and ritual. Within the aesthetic contextualization of myth - ‘hearing’ and ‘seeing’ the stories in performances — was essential in enhancing the gods’ credibility. Not only do myths have more validity when enacted through rituals, but it is myth that makes ritual interesting and meaningful. Greek religious choral song, hymns, paeans and dithyrambs feature the telling of myth as part of a ritual performance. (33) 

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Conclusion

In conclusion, Christopher Marlowe’s The Tragical History of Doctor Faustus intricately weaves Dionysian spirit into its fabric, primal and unrestrained forces. The maddening joy generated by Dionysian spirit leads to Faustus’s numerous acts of rebellion and indulgence, and is an incentive for Faustus to fall into hell. At the same time, it also creates a great temptation and influence on the audience, as well as a way to make the audience empathize with Faustus. 

The examination of the performance of Seven Deadly Sins, which incorporates Dionysian components, displays their individual traits in a more forceful and intuitive manner, striking into human passions and pulling Faustus into the devil’s embrace. The analysis of Faustus’s involvement in the Pope’s feast emphasizes the oblivious and destructive joy of the Dionysian spirit, which challenges class boundaries and deepens Faustus’s rebellious image. Faustus’s speeches and soliloquies, marked by a disdain for traditional disciplines and a challenge to established norms, underscore the antagonistic forces between the order of God and the magic of hell, represented by Apollo and Dionysus, respectively. The chorus as tragic ritual enacts Faustus’s fall, creating a shared emotion of power through black magic, capturing the audience’s attention and fostering a strong emotional response. Faustus’s magic evokes communal participation, attracting audiences and fostering emotional catharsis, it inflates his heart, enhancing his ego and satisfaction. The summoning ritual of Mephastophilis and Faustus’s signing of the pact with Lucifer symbolize key moments in Faustus’s spiritual journey, reflecting his disregard for religious authority and formal commitment to the pursuit of forbidden knowledge and worldly power. The repetition of blood in the ritual underscores the gravity of Faustus’s choices, emphasizing the irreversibility of his quest. 

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