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tion. The translated version should meet the taste of the public who read for entertainment, because the original text is not a traditional classic  but  a  best-selling  novel.  As  a  result,  when  it  comes  to  the  translation  of  a  popular novel  into  another  language,  deliberate  interferences  and  manipulations  of  the  translator  are justifiable and necessary. Translation strategies of addition, omission, alteration, avoidance of repetition  and  adaption  are  demonstrated  as  illustrations  of  poetic  manipulation  in  the following five parts.  It  is  obvious  that  the  English  version  conveys  more  information  by  adding  the  reason why their faces are glowed. If it is literally translated, the readers may get confused whether the  little  slaves¡¯  faces  are  red  for  excitement,  fear  or  shyness.  They  have  to  read  from previous  parts  to  find  the  evidence  to  prove  their  opinions.  It  is  the  obstacle  that  hinders reading.  Therefore,  Goldblatt  consciously  adds  the  reason  why  the  little  slaves¡¯  faces  are glowed to better serve his readers¡¯ reading purpose for relaxation.  
.........

Conclusion  

In  the  thesis,  the  author  finds  out  how  the  translator  Goldblatt  is  manipulated  by  the poetics, ideology and patronage during the translation course of Red Poppies.  After  the  research,  the  author  is  convinced  that  Lefevere¡¯s  manipulation  theory  is helpful for explaining the translation from the perspective of poetics, ideology and patronage, which  has  been  ignored  for  a  long  time.  Taking  constraints  behind  linguistic  level  into consideration completes the traditional ways of translation. Goldblatt gives the original novel a  brand-new  second  life  under  the  manipulation  of  the  controlling  factors.  The  fluency, cohesion and elegance of the translation version provide the target readers a pleasant reading practice.  The  thesis  also  verifies  the  practicability  of  Lefevere¡¯s  manipulation  theory,  which for sure will receive increasing attention in the future. It will broaden the horizon and provide new  approaches  in  the  academic  field  of  translation.  The  translation  work  is  not  simply  a linguistic  equivalence  created  by  its  translator,  but  it  is  constrained  by  some  certain  social background. The translator has his own subjective dynamics, but is still under control of the manipulative factors. In order to get the translation published and to have a wide readers±¾ÂÛÎÄÓÉÓ¢ÓïÂÛÎÄÍøÌṩÕûÀí£¬ÌṩÂÛÎÄ´úд£¬Ó¢ÓïÂÛÎÄ´úд£¬´úдÂÛÎÄ£¬´úдӢÓïÂÛÎÄ£¬´úдÁôѧÉúÂÛÎÄ£¬´úдӢÎÄÂÛÎÄ£¬ÁôѧÉúÂÛÎÄ´úдÏà¹ØºËÐĹؼü´ÊËÑË÷¡£