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论文作者:留学生论文论文属性:硕士毕业论文 thesis登出时间:2023-11-11编辑:vicky点击率:640
论文字数:48566论文编号:org202311071516263756语种:英语 English地区:中国价格:$ 66
摘要:本文是一篇英语论文格式,本文将选取卡佛的近四十篇短篇小说,以元小说理论及其艺术特征为基础,通过细读和文本分析的方式,对卡佛短篇小说中普遍存在的元虚构元素和策略,如文本虚构性、互文性、碎片化叙事和结局的揭示等进行分析。
Self-reflexivity, the most basic and important artistic technique in the creation of metafiction, which takes two forms: one is the author’s direct intrusion into the texts, overtly indicating the fictional nature of the stories; the other is the author’s exposure of fiction through his dual identity, that is, as both a character within the text and a narrator outside the texts. Both situations are addressed in Raymond Carver’s short stories.
2.2 Binary Opposite-Contradiction
Metafictional writers believe that the reality in a text is only fiction constructed by language and created by the novelist, so they realize that they can use language games to present this fictional world. David Lodge (1979: 229-40) mentions six techniques when evaluating the language games of metafiction writers: “contradiction, permutation, discontinuity, randomness, excess and short circuit”. Where contradiction refers to the simultaneous existence of dichotomies such as right and wrong, false and true, fiction and reality in the text which allows the readers to see precisely an indeterminate text. Traditional fiction seeks to prove the truth and continuity of the story, so traditional writers try to avoid contradictions and ambiguous techniques in their works, intending to portray a world that conforms to the logic both in the narrative structure and in the characters or the plot. Postmodernism, however, intentionally disrupts this logic, deliberately creating a juxtaposition of reality and truth, and discovering the fictional nature of the text in the contrast between the two. As Waugh (1984:137) puts that “in metafictional texts that employ contradiction, there can be no final certainty, only a reworking of the Liar Paradox, which might run something like this: ‘All novelists are liars’”. The author’s purpose in using this technique in his works is to constantly remind the readers that he is in a fictional language game created by him. One of the forms of expressing paradox is a self-contradiction. This paradox is frequently found in Carver’s short story “Blackbird Pie”, which is about a husband who receives a letter from his wife who wants to leave him and is panicked but unable to do anything about it. When the husband first receives the letter, he reiterates that he does not believe his wife wrote it. “the handwriting was not my wife’s handwriting”, “But the handwriting was not her handwriting”, and “Yet I remain convinced to this day that it was not her writing...” (Carver, 2009: 601) appears several times in the text. He said with great conviction that it was impossible, but then he argued that it could have been writt本论文由英语论文网提供整理,提供论文代写,英语论文代写,代写论文,代写英语论文,代写留学生论文,代写英文论文,留学生论文代写相关核心关键词搜索。