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论文作者:留学生论文论文属性:硕士毕业论文 thesis登出时间:2023-10-31编辑:vicky点击率:401
论文字数:25966论文编号:org202310270954455454语种:英语 English地区:中国价格:$ 66
摘要:本文是一篇英语文学论文题目,本文从前景化理论的角度出发,探究了莎士比亚如何对十四行诗传统中某些公式化的诗学元素予以去自动化处理。
本文是一篇英语文学论文题目,本文认为,莎士比亚是通过反讽来颠覆公式化的十四行诗形式的,由此产生的效果也具有反讽性。反讽是由期望与现实之间的不匹配而产生的。在阅读莎士比亚的《十四行诗集》时,读者常常会感到惊讶,因为这些诗歌偏离了读者惯常的期望。这种与既定形式相反的意外结果本身就具有一种反讽性。
Chapter One De-Automatization of Structure
1.1 Poetic Structure
The first point of focus is how Shakespeare’s Sonnets de-automatized the traditional sonnet form in terms of poetic structure. As mentioned earlier, Petrarchan sonnets, which were named after the Italian poet Petrarch and were commonly used by English poets such as Sir Philip Sidney, typically consist of an octave (the first eight lines) with the rhyme scheme ABBA ABBA and a sestet (the remaining six lines) with various possible rhyme schemes, commonly CDE CDE or CDC CDC. Shakespeare’s sonnets, however, adhere to a different rhyme scheme, known as the English or Shakespearean sonnet form. They consist of three quatrains (four-line sections) and a final rhymed couplet (two lines), following the ABAB CDCD EFEF GG rhyme scheme. The reader who expects the Sonnets to be traditional in structure is met by an unexpectedness, which constitutes a sense of irony. This ironic subversion of reader expectations further underlines the poetic ingenuity of Shakespeare’s Sonnets.
Shakespeare’s innovative structure also manifests in the way he divides his sonnets into quatrains and couplets. Shakespeare knew that “the four units of the Shakespearean sonnet can be set in any number of logical relations to one another”, and because he enjoyed exploring the potential of language, he “[manipulated the sonnet form] in ways unknown to his predecessors” (Vendler, 1997: 22). In general, each quatrain in a Shakespearean sonnet presents a unique idea or perspective that contributes to the overall theme of the sonnet. Shakespeare’s sonnet form allows a great degree of flexibility in presenting complex ideas. The distinct separation of quatrains allows Shakespeare to explore different facets of an argument or narrative within the same sonnet. For example, in Sonnet 73 (“That time of year thou mayst in me behold”), the three quatrains present three metaphors for aging: the autumn of one’s life (quatrain 1), the twilight of one’s day (quatrain 2), and the dying fire in one’s fireplace (quatrain 3). Each quatrain explores a different aspect of the theme, with each metaphor building upon the previous one to create a profound meditation on the passage of time.
1.2 Narrative Structure
Equally notable is Shakespeare’s innovation in the structure of his sonnet sequence. While other poets composed sonnets that were connected in clear and linear narratives, as in Astrophil and Stella by Sir Philip Sidney and Amoretti by Edmund Spenser, Shakespeare deviated from this convention and offered a more complex narrative structure in his sequence. He restrained from such a clear structure that has a discernible beginning and ending, and he instead plunges the reader straight into the speaker’s contemplations and musings on his subjects, thereby creating an ironic departure from the traditional sonnet sequence structure.
Both Astrophil and Stella and Amoretti exhibit a traditional narrative progression. Sidney’s sequence presents a conventional, albeit nuanced, story of unrequited love, while Spenser’s sequence is primarily a courtship narrative leading to marriage. They adhere to a linear an本论文由英语论文网提供整理,提供论文代写,英语论文代写,代写论文,代写英语论文,代写留学生论文,代写英文论文,留学生论文代写相关核心关键词搜索。