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本文是一篇英语论文格式，笔者认为沃克的文论充分显示了现实主义风格，但是她的非文论作品更有现代主义的风格，甚至是接近于后现代主义的特征。沃克继承了美国非裔现实主义女性文学传统，她的创作生涯同时遇上了西方“后现代”这个特殊的时期，赋予其作品充分的后现代特色。

Chapter One Deconstruction Thought in Walker’s Collection

Ⅰ. Space-time Conversion in Nineteen Fifty-five and Historical Connections to Black Women’s Musicality

Alice Walker’s tendency to pay attention to social ethics, morality, politics, economy, culture, and other real issues is increasingly obvious, and her creation techniques also show the characteristics of modernism. This kind of literary trend of thought with the characteristics of realism is called “neo-realism” or “post-modernist realism” by critics because it is significantly different from the traditional realism of the 19th century. 

In Nineteen Fifty-five, Walker uses two tenses and two scenes, the present simple and the past simple. The present simple tense is used to write about the journal you are writing in, while the past simple tense is used to create a space for memories. The first scene is set in Gracie Mae Still’s home, and the second is when the two meet years later on the Johnny Carson show. Walker presents two-time threads and two memory spaces. The first timeline follows Gracie Mae’s six diaries, dating from 1955, 1956, 1957, 1960, 1968, and 1977, which chronicle Gracie Mae and Traynor’s relationship and music over 22 years. Here comes a layer of memories that Gracie Mae recalls of their relationship. The second timeline focuses on a performance on the Johnny Carson show at the climax of the story. The interaction and dialogue between the two people on the program form the second layer of memory space, which is the home space of Traynor recalled by Gracie Mae. Here the arrangement of time progresses in diary order, in the form of retrospective representation, with a past time clue occurring in the past triggered by the time clue of the journal of ongoing recollection. The appearance of the third layer is the connection between the plot and history, which can be said to be a kind of historical space. 

Ⅱ. Fragmentization in Elethia, Advancing Luna and Critical

Thoughts on Lynching

Alice Walker writes for feminists and female readers at first, so there are no feminists and female readers who become “resistant readers” when reading Walker’s works. However, as a black female writer, Walker has double concerns about identity and gender, and her text creation is restricted by male writers and society. In the collection, it could be observed that Walker continued the feminist literary criticism concept and the creation technique of postmodernism, but tried to creatively break through the tradition, giving her unique ideas.

Alice Walker believes that the creativity of black women in the South spread from the art form of sewing quilts with needles, fabric and thread. As a part of women’s daily chores, it is usually done by several women, including family members, relatives and neighbors. During the sewing process, women sit together to learn sewing skills from each other and share their troubles and happiness. So for women, another important meaning of the quilt is that it allows them to stay united and cooperative. Black women, on the other hand, integrated their ethnic aesthetic characteristics and customs in the texture, color and shape choice of cloth. The本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。