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Immigration is a multidimensional and highly complex worldwide phenomenon that has been the twin of man’s fate since the daybreak of human history. Immigration is far more complicated than displacement and going from one place to another one. It produces complex interactions among individuals from all around the world, including the exchanges of ideas, values and costumes. Immigrants face multiple challenges in social, political, economic and religious issues. Consequently, immigration involves identity crisis, changes in values and behaviors, as well as the need to adapt to new social relationships. The consequences of immigration and particularly its impact on individuals identity brings about various reflections among diaspora communities and especially diaspora artists. These reflections and echoes are best represented in literature. For last few years an increasing number of diaspora writers are writing about their diasporic experiences and the heart of diaspora matter which is the issue of identity.

The processes of forced or free migration which have become a global phenomenon of post-colonial world make questions of identity a major concern of Cultural Studies. Immigrants generally arrive in a new country with a strong sense of their homeland culture and with various degrees of willingness to adopt a new identity. The process of identification with the new society involves feelings of belonging to a homeland and adaptation to a host country. As a matter of fact, on arriving the immigrant goes into a sudden shift of identity and finds himself in an unidentified circumstance. When individual’s identity which was assumed to be fixed, coherent and stable is displaced by the experience of doubt and uncertainty, namely when it is in crisis, it becomes an important issue of academic debates.

The question of identity lies at the center of debates in Cultural Studies because those identities which defined the social and cultural world of modern societies for so long – distinctive identities of gender, sexuality, race, class and nationality – are in decline through global cultural changes, giving rise to new forms of identification and fragmenting the modern individual as a unified subject. The traditional understandings of identity, the comfortable assumptions about its coherence and integrity, have been problematised by post-structuralism perspective which constitutes the dominant strand of thought about identity in Cultural Studies. The key idea at the heart of these theoretical debates is that, as Hall puts it, identity is always unstable, fragmented and contingent, because it is not a hidden essence to be uncovered, but an active process of discursive construction.

Like most of the contemporary diaspora characters, the characters of Jhumpa Lahiri‘s “The Namesake” have fluid identities. They are wandering from one culture to the other, so their national and cultural identities are not fixed anymore. They experience the shock of doubleness of similarity and difference and go through an ever changing proc本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。