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aracters of Marquez’s narration yearn for future, hoping that it will save them from their past; however, their hope is not realised, instead they experience ruin and change for worse. As Marquez states, “races condemned to one hundred years of solitude did not have a second opportunity on earth”44.

In this regard, both Gabriel Garcia Marquez and Franz Kafka maintain the idea that, although it is impossible to avoid the ruin, either the death of Gregor Samsa, or the ruin of Macondo, it is necessary to preserve the depiction of certain events and people. On the other hand, Kafka’s surrealism reflects the existential point of view that deals with the individual’s choice. As Kafka demonstrates, a person has two sides of personality: an individual and social; and it is necessary to find a harmony between two sides. Gregor fails to find this harmony, firstly, he chooses the first side, loosing his self, while further he acquires his individuality, but looses social help.

6 Conclusions

The research has conducted the comparison between the magical realism of South America and the surrealism of Europe, with a particular reference to One Hundred Years of Solitude by Gabriel Garcia Marquez and The Metamorphosis by Franz Kafka. The received findings demonstrate that the magical realism and the surrealism have both similar and different features; in regard to similarity, the movements deal with dreams and fantasy that constitute the portrayed reality. Being in opposition to traditionalism and colonialism, the magical realism and the surrealism make an attempt to counterbalance different extremes, such as rationality and fantasy, natural and supernatural, the conscious and the unconscious.

However, while the magical realism manages to combine both contradictory aspects due to such characteristic features as hybridity and irony, the surrealism reveals that it is difficult to find an appropriate balance between two realms.

As the analysis uncovers, this difference is explained by the fact that the magical realism in literature was formed in South America, the place of dualities and conflicts among various social groups.

Though in real life these dualities rarely achieved uniformity, writers of the magical realism managed to find the balance between two extremes in their literary works. In One Hundred Years of Solitude Marquez masterfully mixes fantasy and reality so that any exaggerations and supernatural elements seem to naturally interweave into the narration. In The Metamorphosis Kafka also evokes various contradictions and extremes, as well as the struggle between the conscious and the unconscious.

Marquez’s and Kafka’s ways of expression possess many similar features; in particular both writers utilise precision and the detailed portrayals of people and events to smooth the gap between fantasy and daily reality. In addition, Marquez and Kafka apply to symbolism, producing greater effects; however, Marquez’s style is characterised by the unity of irony and seriousness, while Kafka is interested in the philosophical interpretation of various phenomena. Thus, Kafka’s surrealism is more preoccupied with human mentality and human relations, while Mar本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。