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ut avoided taking part in the activity of the anarchist movement. Overall, Marquez’s magical realism covers both internal and external aspects of human existence, even though they are treated through fantasy. Thus, Kafka’s and Marquez’s narrations demonstrate the writers’ pursuit for genuine truth in every discussed aspect; in the case of Kafka, the writer reveals his viewpoint towards such issues as social justice, family relations, human mentality and alienation.

Wilhelm Emrich considers that Kafka’s works can be rightfully understood only if taken into account the complete truth of the writer; as Emrich points out, “an assistive and willing readiness for the full truth means the ability to renounce all personal, limited ideas, wishes, and efforts of will and to enter into the fullness of all of that-which-is”38. In other words, Kafka’s The Metamorphosis should be interpreted, rejecting all the conventional. Franz Kafka provides his own unique vision of various issues, whether it is the issue of alienation or the issue of genuine truth.

Kafka presents truth as specific gates that a person may reach, overcoming many paths; however, as he/she reaches these gates, he/she may either accept or reject this opportunity. Although Gregor Samsa seizes the opportunity, he feels that it is too late for him to change. After the transformations, the protagonist finds his true self and understands that he has always followed the wrong paths. However, as Kafka once acknowledged, “Life is a continual distraction which does not even allow us to reflect on that from which we are distracted”39.

In Marquez’s narration, life is closely connected with time; as the writer eliminates the conventional division of time into present, future and past, people’s lives are exposed to different, sometimes rather unexpected, changes. Ursula Iguran considers that time in her town is infinite and is constantly quickened. In some instances, for instance, during amnesia, people of Macondo forget their past, but can clearly observe their future, while in other periods of their lives they can easily remember their past and predict their future.

Melquiades, the gypsy, constantly points at the fact that life is a continual phenomenon; even at the beginning of the narration Melquiades uncovers the final outcome of the occurred events. Melquiades’ ghost proves the continuity of time, implicitly revealing that the past can be easily transformed into the present or the future. In this regard, Gabriel Garcia Marquez utilises two times in his narration One Hundred Years of Solitude; firstly, it is the historical period, which covers daily life of Macondo’s citizens, and, secondly, it is the fantastic time, which regards present, past and future in integrity. The fantastic time prevails over the historical period40.

The very beginning of the novel demonstrates a parallel between the past and the present: “Many years later, as he faced the firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to discover ice”41. As Marquez’s magical realism is based on the depiction of various contradictions, the writer applies this technique not only to time, but also to other issues. In particular, some protago本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。