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is morbid choice, a free and deliberate one in the end, [Gregor] acquires tragic dignity”36. In view of this fact, Gregor is usually compared with Jesus Christ; this allegoric parallel reveals that Kafka’s surrealism does not exclude a religious aspect, especially in the treatment of such issues as life and death.

On the contrary, Jose’s isolation ruins the unity of his family, destroying both Jose and his close people.

Thus, despite the obvious negation of Kafka’s work, the writer manages to implement positivism in his treatment of certain crucial issues, smoothing the depressive mood of the narration and simultaneously preserving realism of the portrayal. At the same time, Marquez treats the theme of isolation from a variety of perspectives; isolation may be negative, as in the case of Jose Arcadio Buendia, and may bring happiness to people who are in love with each other.

Besides, isolation in One Hundred Years of Solitude is also applied to the town Macondo that is estranged from other places of the world; however, Marquez reveals that miracles may occur only in the places that are remote from the civilised world. In this regard, both Marquez’s magical realism and Kafka’s surrealism implicitly stress the importance of primitive societies, which exist in accordance with natural laws, rather than in accordance with the rules created by people.

In the case of Marquez’s narration, the writer introduces a gypsy tribe that shows various supernatural things; however, these phenomena seem real in the described world. According to gypsies, “things have a life of their own, it’s simply a matter of waking up their souls”37. But as Gabriel Garcia Marquez points further, the citizens of Macondo start to lose their sense of life; as a result, the town is exposed to decay, and people resemble ghosts or echoes of the past. With the death of Ursula, the ruin of Macondo seems finalised. Similar to Franz Kafka, who draws a parallel between him and his character, Marquez draws a parallel between Macondo and his native place of living Aracataca. Both real and fictional places experience decay by the middle of the twentieth century; thus, Marquez and Kafka embody their own reality through the symbolic settings. In this context, Marquez’s and Kafka’s narrations do not evoke any doubts as to the realism of their portrayals.

However, unlike Kafka, Marquez’s magical realism also reflects considerable parallels with the existing political conditions of Latin America. While Kafka depicts reality mainly in terms of psychological and social aspects, Marquez also applies to some political issues that influence the lives of his characters. In addition to the mentioned negative consequences of European civilisation, certain dictatorships described in One Hundred Years of Solitude greatly resemble the governments existed in such places of Latin America as Panama, Cuba and Nicaragua, the governments that were obsessed with power and money, but were unable to maintain stable existence within the countries.

On the other hand, Marquez does not justify cruelty, despite his communist and revolutionary thoughts; the same regards Kafka who openly maintained the anarchist ideas of justice and equality, b本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。