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In chapter three Lahiri’s The Namesake is introduced by focusing the concept of subjectivity. Firstly the summery of the novel is given, and then its themes are explored to find out how they pave the way for a Cultural Studies reading of the text regarding Hall’s notions of subjectivity in general. The researcher examines how this text reflects Hall’s viewpoints about subjectivity as a produced and constructed discursive position. The analysis of The Namesake in the light of Hall’s notion of subject as a decentered and fragmented subject is the next issue. Moreover, his ideas of subject as a subject-in-process are also investigated.

Chapter four of the thesis discovers the concept of name within the novel to show how it works as a metaphor for identity throughout the novel. It is displayed that the fictional characters of the novel, such as Gogol are capable of projecting cultural identity. The story of Gogol’s name reflects how cultural identity is a constructed position rather than a fixed or natural essence. Furthermore, the researcher discusses how the concept of name is applicable to Hall’s theories as a floating signifier, a constructed process and an always in process production.

In the last chapter, the thesis covers findings, summing up and ideas for further research. The first part presents a summary of the main chapters. The second part, Findings, focuses on the goals and objectives of the thesis. Lahiri’s mingling of cultural issues and literature or identity and literature are discussed. The third and final part of chapter five and the very final part of the thesis cites suggestions for further research for those who may be interested in diaspora literature or Lahiri’s works.

Articulation: The form of the connection that can make a unity of two different elements, under certain conditions.

Culturalism: A term coined by Richard Johnson to describe the shared critical assumptions of Richard Hoggart and Raymond Williams in placing emphasis on what Hall terms ‘creative and historical agency’- the power of people to express and determine their own actions- and defining human experience as the central agent in creative and historical processes.

Differance: The notion introduced by French deconstructionist Jacques Derrida, through exploiting the ‘play’ of meaning in the French original which means both ‘to differ’ and ‘to defer’. It implies the logic that because meaning is not entirely present in the signifier which drives its meaning from elsewhere in the chain of signification, so language creates an endless deferral of meaning and meaning is always somewhere else since the final signified is perpetually postponed and deferred.

Hegemony: Developed from the work of Lenin, the term used by Italian Marxist Antonio Gramsci to refer to the system of beliefs, values, and meanings to which most people in a given socie本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。