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gency, a fragmented, decentered human agent who is both subjected by power and capable of acting against power. Articulation is the production of identity out of difference, of unities out of fragments, of structures across practices. We are then 'articulated' subjects: the product of being integrated into past practices and structures, but we are also always 'articulating' subjects: through our enactment of practices we construct new meanings; new identities for ourselves. That is why Hall speaks about identity as a source of restoring the decentered subject (The Question 305).

For Hall, the self is internally fragmented, incomplete, multiple and is produced and positioned- that is subjected to and determined-within discourse. Hall says”… the new subjects of New Times emerge out of a recognition of difference (i.e. of the specific contexts out of which we all speak) rather than homogeneity” (The Meaning 121). This recognition of difference involves a recognition of ‘many’ within the ‘one’ and a rejection of clear-cut binary oppositions: male/female, black/ white. It involves a sense of recognizing the multidimensionality of the positions we take up, and the need to re-position ourselves over time and in different circumstances (Representation 183).

The extent to which Hall’s central concerns in cultural identity, race, ethnicity, the media and popular culture have been picked up and extended by CCCS thinkers is deniable. His approach is multidimensional and dialogic; it involves building ‘new insights on to the old’ rather than progressing in a one way fashion from one position to the next. Hall has continually rejected originality in favor of working with and through a series of often irreconcilable critical positions, rather than the ‘grand narrative’ of Cultural Studies (Stuart Hall’s Ethics 11).

The present thesis consists of five chapters. Chapter one or Introduction commences with a general background of Jhumpa Lahiri’s life and works. The contribution of Lahiri’s special way of raising up to creating an immigrant identity-based fiction and her literary life are discussed in this section. The Argument deals with the significance of immigrant identity-based issues in Lahiri’s work. In the same part, research questions of the thesis are presented. In Thesis Outline, the subtitles of each chapter along with subjects to be discussed under each sub-heading are focused. Methodology focuses on the history of Cultural Studies as a suitable approach for the present thesis. A brief definition of Stuart Hall’s cultural theories closes the part titled Methodology. Definition of Terms defines technical words to be discussed during the thesis.

Chapter two is The Namesake under the light of Hall’s articulation of cultural identities. The opening part of chapter two deals with The Namesake and the concept of identity. The section discusses the noteworthy aspects of cultural identity dialectics. It consists of three segments; the first one explains identity as a process of becoming through the novel. In the second part, identity is discussed as an articulated position. The third segment sets before identity as a constituted production. T本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。