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论文作者:www.51lunwen.org论文属性:课程作业 Coursework登出时间:2014-05-27编辑:lzm点击率:14876
论文字数:6916论文编号:org201405270954364736语种:英语 English地区:中国价格:免费论文
关键词:模糊美学中国古典诗歌翻译Fuzzy AestheticsTranslation of Classical Chinese Poem文学翻译
摘要:In the thesis, the author tries to make study of classical Chinese poetry translation from the perspective of fuzzy aesthetics, which is a new perspective of study for literary translation. While emphasizing the importance of transferring fuzzy aesthetics, transfer original aesthetics one hundred percent is simply impossible in many cases.
The achievements in this research field indicate that it is possible to make further research on English translation of classical Chinese poetry from the perspective of fuzzy aesthetics. Systematic work needs to be done even though it is considerably difficult to transfer fuzzy aesthetics in English translation of Chinese poetry due to different language rules and cultural background.
1.3 Subject of the Study: Fuzzy Aesthetics in Translating Classical Chinese Poetry
As it is mentioned above, fuzziness is the fundamental feature of
literary works. Fuzziness is also inherent in poetry, especially in
classical Chinese poetry. Fuzzy aesthetics finds demonstration in form
and content of classical Chinese poetry. The ultimate goal of classical
Chinese poetry translation is to transfer this kind of fuzzy aesthetics
and make the target language readers experience the aesthetics.
Therefore, the author will take fuzzy aesthetics in classical Chinese
poetry as the subject of research.
II. Fuzzy Aesthetics and Its Manifestations in Classical Chinese Poetry
2.1 Fuzzy Aesthetics
2.1.1 Fuzzy Psychological Mechanism of Aesthetics Subjects
In literary creation and literary translation, thinking in terms of
images plays an important role and is characterized by fuzziness.
Therefore appreciation of aesthetics of fuzziness conveyed by literary
works and translate literary works inevitably involves the thinking in
terms of images.
According to Zong Baihua, aesthetics is a property of an object to be
perceived. (宗白华, 1981)That is to say, aesthetics is the result
interaction between aesthetics subjects and aesthetics objects. This is
now consensus in the aesthetics circle.
A large number of researches have proved that the main psychological
mechanism of aesthetics experience embraces perception, emotion,
imagination and understanding. With their complicated interaction, an
extraordinary experience, which is now called fuzzy aesthetics, will
occur because these psychological phenomena have the quality of
uncertainty by nature.
The first step of aesthetics experience is perception. Different people
will find different aesthetics constituents from the same object because
of their respective aesthetics perceptions. Hence, aesthetics
perception is granted a property of fuzziness. Emotion is the
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