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e narrator leaves the hospital. Because of injuries, the narrator collapses on the street. He is sent to Mary’s home. The third part mainly narrates his experience in Brotherhood, a political organization. He participates in the Brotherhood accidentally and he has an opportunity to do what he loves the most. However, he finds out soon that the Brotherhood just uses him as a means towards its own ends. After several months, the narrator’s new identity becomes well known in the community for his talent of speaking. But gradually, the narrator finds out that other members intend to exclude him all along. What he does always irritates Jack and other members. They instruct him to see Bother Hambro to learn the Brotherhood’s new program, and he is informed that the Brotherhood intends to sacrifice its influence in the community to pursue other wider political goals. In fact, the Brotherhood has planned race riots, deliberately sparing power to Ras and allowing Harlem to fall into chaos. Then the narrator becomes caught up in one rioter’s plan to burn down a tenement building and he escapes and falls into a coal cellar, where he decides to live underground. In the epilogue, the narrator concludes his story, saying that he has told all of the important events in his life. He recalls and contemplates many things. Then he realizes that he can't let go of all these things. He ends his hibernation and declares that he should come up for breath, taking his social responsibility. 1.2 Narrative Features of Invisible Man In Invisible Man, Ellison uses a particular way to tell his story. This part concludes two obvious narrative features of this novel. 1.2.1 First Person Narration The most obvious narrative feature in this novel is the usage of the first person narration. The first paragraph in the prologue is a strong proof of it. I am an invisible man. No, I am not a spook like those who haunted Edgar Allen Poe; nor am I one of your Hollywood-movie ectoplasms. I am a man of substance, of flesh and bone, fiber and liquids—and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me. Like the bodiless heads you see sometimes in circus sideshows, it is as though I have been surrounded by mirrors of hard, distorting glass. When they approach me they see only my surroundings, themselves, or figments of their imagination—indeed everything and anything except me (Ellison 2005: 3). There are 7 “I”s, 3 “me”s, and 1 “my” in total in this paragraph. It is just like a person saying something to himself. At the very beginning of each chapter, this feature can be seen easily. Chapter 1: “It goes a long way back, some twenty years. All my life I had been looking for something, and everywhere I turned someone tried to tell me what it was. (Ellison 2005: 15)” Chapter 2: “I’ve recalled often, here in my hole. (Ellison 2005: 34)” Chapter 3: “I saw them as we approached the short stretch that lay between the railroad tracks and the Golden Day. (Ellison 2005: 71)” Chapter 4: “The wheel felt like an alien thing in my hands as I followed the white line of the highway. (Ellison 2005: 98)” … There is no need to illustrate every sentence at the beginning of each chapter. In Invisible Man, Ellison arranges a narrator to dictate his life story as his memoir. It makes readers feel real while reading it, just like getting through the hard time with the narrator. From the south to the north, readers fo