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Abstract:“IT IS A TRUTH universally acknowledged,that a single man in possession ofa good fortune,must be in want of a wife.”Almost two centuries later,the deepimpression on readers left by the opening sentence of Pride and Prejudice has notdecreased because of their changing literary t

内容摘要:简•奥斯丁（1775-1817）是十九世纪英国文学史上最伟大的现实主义小说家之一。在短暂的四十二年的人生中，奥斯丁共创作了六部小说：《理智与情感》（1811），《傲慢与偏见》（1813），《曼斯菲尔德庄园》（1814），《爱玛》（1816），《诺桑觉寺》（1818）和《劝导》（1818）。奥斯丁有限的生活经历使她文学作品的创作范围狭小。爱情与婚姻是她所有作品的主要主题。她只关心一个问题，即适婚的中产阶级女子如何找到如意郎君。作为一位现实主义作家，她的作品真实的反映了社会历史，经济现实以及她所处时代女性的社会地位。作为一名专注于爱情与婚姻的女性作家，奥斯丁在其作品中描写了

Abstract:The translator is the most active factor in translating activity.However, for a long time, under the influence of the traditionaltext-oriented translation theories, the translator has to oppress himself notto be subjective in translation and tries to be a faithful "servant"

内容摘要：通过对《傲慢与偏见》两个中文译本的比较研究，本文试图从语篇语言学的角度考察文学翻译，着重探讨了成篇性原则在翻译中的应用。当今的翻译研究结合了相互重叠的多种视角。在过去的三十年中，其他相关学科的理论不断的被引入翻译研究，形成了许多独特的新的研究视角。语篇语言学正是翻译研究的一个全新的视角。语篇语言学是语言学的一个新的分枝，主要研究的是语篇形成的整个过程。它特别强调语篇具备完整的意义和独立交际功能，强调语篇具备超越语法和句法的语篇性，并且认为语篇外因素和语篇内因素一样，都可以影响语篇意义和功能。传统的语言学研究模式认为对翻译的研究和评价应集中在词汇和句子的

Abstract:In the 18th England wasstill the best way, even the only way still a patriarchal society and marriage was for women to gain some social status and recognition. As a woman writer who focuses on love and marriage, Jane Austen exhibits a particular feminist tendency in her novels which is

[Abstract] Pride and prejudice is a very popular novel written by Jane Austen and it is read widely all over the world. It was written in 1813. That specific history time decided that people at that time took money much more seriously, even on their marriage. In this paper, the marriage cases of