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ooks more like a right triangle. Because the dresses, she has been removed exaggerated lined steel. At this time dresses, we have been able to see the shadow part of modern fashion. But in order to highlight the female waistline, excess fabric designer, shrink back from the waist up.
In the 1860s, in the hustle and bustle of the changed shape after lining, which is popular in the 1870s and 1980s. Only in the 1890s did a skirt restored to a relatively slender shape, but there is a narrowing of the corset in no go. Under normal circumstances, the style of the late 19th century, is an elegant, but not easy to wear. Their movement is limited and they are multi-layered, sophisticated decor, the absolute amount of material.
The survival of a large number of ready-made garments worth colleges, and other institutions of the permanent collection in the United States to prove the value of the immense popularity wealthy American diners, as well as European royalty and aristocracy. Many customers went to Paris, from the value of the purchase of the entire wardrobe. For wealthy woman, a complete wardrobe will include morning, afternoon and evening dress, and luxurious 'undress' items such as tea, clothes and pajamas, which is the only wear their home privacy. Women also provide dresses worth looking at special occasions, including weddings and ornate masquerade ball, a favorite entertainment both the US and Europe. Worth customers include theater and concert arena points. Costumes and personal wardrobe of him attracted as the leading actress and singer, such as Sarah Bernhardt, Jenny Lind, etc.

Conclusion 结论
In conclusion, as being considered as the father of haute couture, Worth is the pioneer of modern fashion industry, creator of fashion show and fashion models. On the other hand, he also completed the whole process of garment making. Therefore, he is also the pioneer of fashion production and promotion. Since the “the emergence of ready-to-wear clothing can be seen as a triumph of industry over art” (Green, 1994, p.723). Thirdly, his design that removing the traditional giant steel frame as crinolette also release women and created new trend of fashion, which makes the prototype of modern fashion. Therefore, from the three aspects, Worth elevate the status of fashion by art.

References 参考文献
Desai, A, Nassar, N, & Chertow, M 2012, 'American Seams: An Exploration of Hybrid Fast Fashion and Domestic Manufacturing Models in Relocalised Apparel Production', Journal Of Corporate Citizenship, 45, pp. 53-78
Green, NL 1994, 'Arts and industry: The language of modernization in the production of fashion.', French Historical Studies, 18, 3, p. 722
Langdown, A 2014, 'Slow fashion as an alternative to mass production: A fashion practitioner's journey',Social Business, 4, 1, pp. 33-43
Joseph, A 2014, '“A Wizard of Silks and Tulle”: Charles Worth and the Queer Origins of Couture',Victorian Studies, 56, 2, pp. 251-279
Hall, JG 2013, 'Is tangled the new wicked?', Expert Systems, 30, 2, p. 128
'Charles Frederick Worth.' 2015, Columbia Electronic Encyclopedia, 6Th Edition
Standish, RA 2013, 'A cultural history of fashion in the 20th and 21st centuries: from catwalk to sidewalk. 2nd ed', Choice: Current Reviews For Academic Libraries, 51, 4, p. 698