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摘要：本文是一篇音乐学留学论文。披头士乐队代表了一个世纪的音乐成就，对20世纪音乐流派的发展和音乐形式的多样性产生了巨大的影响。他们处于摇滚音乐盛行的时代，与20世纪其他的摇滚乐队相比，介绍了更多创新性的流行音乐，他们只做属于自己的最好的音乐，他们只做最受欢迎的音乐作品。本文主要对披头士的摇滚音乐进行了简单介绍。充满激情四射的想象力和实践性,披头士仅仅抓住1964年所倡导的国际质量意识,并在接下来的六年里从不放手,在音乐包装所体现的创造力方面始终保持领先,但从来没有失去他们的沟通能力，即使大众的思想和审美变得日益复杂。“1970年他们离开乐坛后的数十年内，他们的摇滚音乐特点仍然未受到挑战，在乐坛上的地位仍然没有动摇”(詹森,劳埃德·2005)

gal wrangles at Apple prevented the official issue of previously unreleased Beatle material for over two decades (although much of it was frequently bootlegged). The situation finally changed in the 1990s, after McCartney, Harrison, Starr, and Lennon's widow Yoko Ono settled their principal business disagreements. In 1994, this resulted in a double CD of BBC sessions from the early and mid-'60s. The following year, a much more ambitious project was undertaken: a multi-part film documentary, broadcast on network television in 1995, and then released (with double the length) for the home video market in 1996, with the active participation of the surviving Beatles.

To coincide with the Anthology documentary, three double CDs of previously unreleased/rare material were issued in 1995 and 1996. Additionally, McCartney, Harrison, and Starr (with some assistance from Jeff Lynne) embellished a couple of John Lennon demos from the 1970s with overdubs to create two new tracks ('Free as a Bird' and 'Real Love') that were billed as actual Beatles recordings. Whether this constitutes the actual long-awaited 'reunion' is the subject of much debate.

Certainly these cuts were hardly classics on par with the music the group made in the 1960s. Some fans, even diehards, were inclined to view the whole Anthology project as a distinctly 1990s marketing exercise that maximized the mileage of whatever could be squeezed from the Beatles' vaults. If nothing else, though, the massive commercial success of outtakes that had, after all, been recorded 25 to 30 years ago, spoke volumes about the unabated appeal and fascination the Beatles continue to exert worldwide.

Revolution song Analysis

'Revolution' is a song by The Beatles, written primarily by John Lennon and attributed to Lennon-McCartney. “The song appeared in two distinctly different incarnations, a raucous electric 'Revolution', and a slowed acoustic 'Revolution 1'. A third connected piece, the heavily experimental 'Revolution 9', appeared on the same album side (i.e., side 4) as 'Revolution 1' on The White Album.” (Corliss, 2004)

Lennon claimed the song was inspired by the May 1968 uprising in France. Another song called 'Revolution' was released by the London psychedelic group Tomorrow in September 1967, a year before the John Lennon song. Tomorrow's lyric 'Have your own little revolution, NOW!' contrasts with Lennon's lyric, including the opening lines, 'You say you want a revolution/ Well, you know/ We all want to change the world.'

There is a belief that in some studio versions of the song, the pronunciation of 'evolution' early in the song has what sounds like an overdubbed voice distorting 'evolution' into what sounds eerily similar to 'evil-jew-shin.' A common myth is that Lennon wrote the track in disdain of overwhelming money-hungry businessmen. This theme of anti-semitism is not alone in this song, as in Come Together the verse verse can be interpreted as describing a hasidic jew.

Revolution 9' is an experimental recording which appeared on the Beatles' 1968 self-titled LP release (known as the White Album). The track marked the peak of the band's studio experimentation; the inclusion of such a 本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。