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论文作者:www.51lunwen.org论文属性:职称论文 Scholarship Papers登出时间:2015-03-07编辑:Cinderella点击率:9674
论文字数:3262论文编号:org201503041558338627语种:英语 English地区:英国价格:免费论文
摘要:随着时代进化,媒介形式与媒介受众在发生着变化,由此而不断改变着人们对媒介素养定义和内涵的认识研究。
The work of the Frankfurt School provided what Paul Lazarfeld (1942), according to Steven Best, one of the originators of modern communications studies, called a critical approach, which he distinguished from the 'administrative research.' The positions of Adorno, Lowenthal, and other members of the inner circle of the Institute for Social Research were contested by Walter Benjamin, an idiosyncratic theorist loosely affiliated with the Institute. Benjamin, writing in Paris during the 1930s, discerned progressive aspects in new technologies of cultural production such as photography, film, and radio. In 'The Work of Art in the Age of Mechanical Reproduction' (1969), Benjamin noted how new mass media were supplanting older forms of culture whereby the mass reproduction of photography, film, recordings, and publications replaced the emphasis on the originality and 'aura' of the work of art in an earlier era. Freed from the mystification of high culture, Benjamin believed that media culture could cultivate more critical individuals able to judge and analyze their culture, just as sports fans could dissect and evaluate athletic activities. In addition, processing the rush of images of cinema created, Benjamin believed, subjectivities better able to parry and comprehend the flux and turbulence of experience in industrialized, urbanized societies (Steven Best)
During the 1930s, according to Kellner, the Frankfurt School developed a critical and trans-disciplinary approach to cultural and communications studies, combining political economy, textual analysis, and analysis of social and ideological effects of. They coined the term ‘culture industry’ to signify the process of the industrialization of mass-produced culture and the commercial imperatives that drove the system. Kellner states that the critical theorists analyze all mass-mediated cultural artifacts within the context of industrial production, in which the commodities of the culture industries exhibited the same features as other products of mass-production: co modification, standardization, and massification. The culture industries had the specific function, however, of providing ideological legitimating of the existing capitalist societies and of integrating individuals into its way of l本论文由英语论文网提供整理,提供论文代写,英语论文代写,代写论文,代写英语论文,代写留学生论文,代写英文论文,留学生论文代写相关核心关键词搜索。