《老人与海》的悲剧色彩:对完美主义的质疑 [2]
论文作者:佚名论文属性:短文 essay登出时间:2009-04-04编辑:黄丽樱点击率:13719
论文字数:6008论文编号:org200904040947067830语种:英语 English地区:中国价格:免费论文
关键词:tragic colorperfectionperfectionismHemingwaySantiago悲剧色彩完美完美主义海明威圣地亚哥
y. He chose to die in the prime of his life. Hemingway left many unsolved questions to the whole world, people regret for his choice. Meanwhile, we could find a real Hemingway when we stand in his shoes, he is a complete perfectionist. He would prefer regretting for the whole world to regretting for himself, that’s a perfectionist’s choice.
Even though Hemingway chose another way to express his hero spirit and his perfectionism, some people suspect what his perfectionism brought to him. Perfectionism brought honor, wealth, wonderful life to him, but he decided to discard all honor because he had been tortured by sickness greatly, he chose to die in the end. Hemingway was involved in strange perfectionism circle. At the same time, the code man spirit made him pursuit perfection of everything. As a perfect man in people’s eyes is Hemingway’s aim. The old man who Hemingway created in The Old Man and the Sea is also a person represented Hemingway’s perfectionism spirit. He has his own sadness.
The paper focuses on The Old Man and the Sea,find out the tragic color in the novel, meanwhile, explains Hemingway’s tragedy in order to challenge the perfectionism which is held by the author---Hemingway and his creative code hero---Santiago.
I Background
A. To the Author: Earnest Hemingway
Earnest Miller Hemingway was born in a well-to-do family in Oak Park, Illinois near Chicago, on July 21st, 1899. He was an American Nobel Prize winner in literature (1954), a spokesman for “The Lost Generation”. After he got the Nobel Prize, he ended his life by himself. His life was filled with many kinds of adventures that represent in his works. He styled the particular type of the tragic hero in his novels, and his life attitude had been widely recognized and imitated in English-speaking countries and all over the world as well. Hemingway was a myth in his own time and in American literature.
After the publishing of The Old Man and the Sea in 1952, this novel had played a crucial role in the development of Hemingway’s critical reputation. Prior to the appearance of this crisp and lyrical novel about an old Cuban fisherman’s struggle with a titanic fish, Hemingway had published nothing of distinction during the twelve years since For Whom the Bell Tolls (1940); the early promise of the brilliant short story collection, In Our Time (1925); and his finest novels, The Sun Also Rise (1926); and A Farewell to Arms (1929), seemed distant and unfulfilled; Hemingway’s nonfiction of the 1930s; Death in the Afternoon (1932) and Green Hills of Africa (1935), had been disappointing by comparison, and a “novel” like To Have and Have Not (1937), two previously published short stories hastily cobbled together, seemed a shocking performance from a craftsman once so exacting; Across the River and into the Trees (1950) had been savaged by the critics, and Hemingway was widely considered to be a has-been. The Old Man and the Sea (1952), however, was hailed as Hemingway’s triumphant return. William Faulkner as Hemingway’s strong competitor was ever said “Time will show that this novel (The Old Man and the Sea) would be the most brilliant medium-length novel for our time”.
B. The Medium-Length Novel
1. Summary
Among all of Hemingway’s works, The Old Man and the Sea, it is a work that leads to the top of Hemingway’s career of writer and made him receipt the Nobel Prize. It is a poetic tragic novel about Santiago---an old Cuban fisherman who has gone for 84 days witho
本论文由英语论文网提供整理,提供论文代写,英语论文代写,代写论文,代写英语论文,代写留学生论文,代写英文论文,留学生论文代写相关核心关键词搜索。