论福斯塔夫的性格 [3]
论文作者:佚名论文属性:短文 essay登出时间:2009-04-04编辑:黄丽樱点击率:12989
论文字数:6037论文编号:org200904040929434919语种:英语 English地区:中国价格:免费论文
关键词:Falstaff’s characterComplicationRomanticismRealistic meaningsCauses福斯塔夫的性格复杂性浪漫性现实性成因
he discovers his wrongs and amends them. Following the committing of his sins, Lear becomes abandoned and estranged from his kingdom which causes him to loose sanity. While lost in his grief and self-pity the fool is introduced to guide Lear back to the sane world and to help Lear find that was once lost behind a hundred knights but now is out in the open and scared like a little child. The fact that Lear has now been pushed out from behind his Knights is dramatically represented by him actually being out on the lawns of his castle. The terrified little child that is now unsheltered is dramatically portrayed by Lear's sudden insanity and his rage and anger is seen through the thunderous weather that is being experienced. All of this contributes to the suffering of Lear due to the gross sins that he has committed. The peak of this hell that is experienced by Lear in order to repay his sins is at the end of the play when Cordelia is killed. Lear says this before he himself dies as he cannot live without his daughter. All of this pain that Lear suffered is traced back to the single most important error that he made the choice to give up his throne. This one sin has proven to have massive repercussions upon Lear and the lives of those around him eventually killing almost all of those who were involved. And one is left to ask one's self if a single wrong turn can do this to Lear then what difficult corner lies ahead that may cause similar alterations in one's life.
B. The Falstaff's Ludicrous Traits
Falstaff in Henry IV is a very different composition. The main character of Falstaff is clearly a prankster, and not nearly as many horrible things happen to him. Falstaff is the character we laugh at, a mock King in Henry IV. Hal is the ideal King and Falstaff is a Lord of Misrule. Up to certain point Falstaff is merely an object of pure entertainment. His character is present chiefly for the humor that arises by showing his ludicrous traits. Why should we laugh at a man with a huge belly and an appetite to match, at the way he suffers on a hot day, his cumbersome size and the liveliness of his spirit. His timeless age and his youthful lightness of heart show his true nature. Why do we find comedy in the enormity of his lies and the suddenness of their exposure and frustration. The contrast between his reputation and his real character, seen most absurdly when, at the mere mention of his name, a rebel surrenders to him. What is it about Falstaff that causedus to laugh at these and many such things? Here we have them poured out in endless profusion and with that air of careless ease which is so fascination in Shakespeare. But while they are quite essential to the character, there is much more than just fun in him. These things by themselves do not explain why, besides laughing at Falstaff, we are made happy by him and laugh with him. But while they are quite essential to the character, there is an ugly side of Falstaff, but we overlook it in light of his great humor.
C. The Differences and Similarities in them
The two compositions have humorous parts in them but both are distinctly different. Falstaff in Henry IV is clearly a comedy with almost all the traits of a comedy while King Lear is a sad character. Falstaff and King Lear are somewhat dissimilar. King Lear deals with all of the problems from one of his actions-abdication of his throne. Falstaff deals with the situations surrounding the prince and he can take different paths with his li
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