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论文作者:www.51lunwen.org论文属性:硕士毕业论文 dissertation登出时间:2014-08-04编辑:felicia点击率:24218
论文字数:8384论文编号:org201408012311474840语种:英语 English地区:中国价格:免费论文
关键词:magical realism文学运动百年孤独魔幻现实主义变形记佛洛伊德精神分析学
摘要:本文是一篇文学留学论文。魔幻现实主义和超现实主义之间有极大的区别,本文主要以马尔克斯的《百年孤独》(Cien Anos de Soledad)和弗朗茨·卡夫卡的《变形记》为例进行分析,运用比较和历史理论方法,揭示20世纪两个文学运动之间的异同。研究结果表明,马尔克斯的魔幻现实主义是基于现实和幻想,而卡夫卡的超现实主义处理梦想和理性之间的不和谐因素,适当引入佛洛伊德的精神分析学,因此,二者是有明显区别的。
魔幻现实主义的研究提供了南美和欧洲超现实主义的比较,以马尔克斯的《百年孤独》(Cien Anos de Soledad)和弗朗茨·卡夫卡的《变形记》为参考(Die Verwandlung)。运用比较和历史理论方法,揭示20世纪两个文学运动之间的异同。研究结果表明,马尔克斯的魔幻现实主义是基于统一的现实和幻想,而卡夫卡的超现实主义处理梦想和理性之间的和谐,或者引用佛洛伊德的精神分析学,涉及有意识和无意识的精神状态。在这方面,一些研究结果反映了卡夫卡和马尔克斯的写作特点,其他研究对卡夫卡的超现实主义和马尔克斯的魔幻现实主义提供了一些新的解读观点。
1问题的声明
虽然魔幻现实主义与超现实主义是两个文学运动,发生在世界的不同地区,他们的相同点多于不同点。这一点在马尔克斯的《百年孤独》与卡夫卡的《变形记》中表现得极为明显。尽管《变形记》属于超现实主义流派,有时候却被认为是魔幻现实主义风格,同样的,马尔克斯的代表作也会遇到类似问题。
The research provides the comparison between the magical realism of South America and the surrealism of Europe, with a particular reference to One Hundred Years of Solitude (Cien Anos de Soledad) by Gabriel Garcia Marquez and The Metamorphosis (Die Verwandlung) by Franz Kafka.
Applying to the comparative and historical theoretical approaches, the paper reveals both similarities and differences of two literary movements of the twentieth century. The received findings demonstrate that the magical realism of Gabriel Garcia Marquez is based on the unity of reality and fantasy, while the surrealism of Kafka deals with the harmony between dreams and rationality, or, applying to Freudian psychoanalysis, between the conscious and the unconscious. In this regard, some results of the research reflect the previous analyses of Kafka and Marquez, while other findings provide some new interpretations of Kafka’s surrealism and Marquez’s magical realism.
1 Statement of the problem
Although the magical realism and the surrealism are two literary movements that were formed in different parts of the world, they have more similarities than differences. This is especially obvious on the examples of One Hundred Years of Solitude (Cien Anos de Soledad) written by Gabriel Garcia Marquez and The Metamorphosis (Die Verwandlung) written by Franz Kafka. Despite the fact that The Metamorphosis belongs to the genre of the surrealism, it is sometimes attributed to the genre of the magical realism; the same regards Marquez’s masterpiece.
However, while the surrealism is aimed at the depiction of superior reality with the help of such tools as automatism, fantasy and mesmerism, the magical realism describes the real world in a combination with a fantastic realm. Overall, both the surrealism and the magical realism appeared as the revolutionary movements that challenged the civilised reality and the crucial role of rationality, considerably influencing the formation of new consciousness in South America and Europe in the twentieth century.
2 Introduction
Literature of the twentieth century is characterised by the formation of various movements that reflected the essence of a rather contradictory and complex era, when different social, political, cultural and individual aspects emerged on a scene. Unquestionably, every literary movement made an attempt to implement its own ways of expression, forms, symbols and the treatment of certain crucial issues. However, after the era of rationality and in the threshold of Two World Wars, many writers and poets began to challenge pure reason, searching for the ways to combine reality with fantasy.
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