Summary概要
1.1 The brief overview of Cultural Industry
1.1文化产业概况
械复制时代的艺术作品是本雅明在文化理论、大众传播理论、建筑理论和艺术史等诸多领域的重要著作。为了使艺术理论对艺术政治中革命要求的制定有所帮助。在任何传统的、仪式性的价值的情况下,机械生产时代的艺术本质上将以政治的实践为基础。本雅明撰写的这篇文章中,马克思主义理论一开始就被用于社会建构和资本主义艺术地位,本杰明提出了资本主义生产的清晰准确的概念,展现了未来资本主义的预期。The Work of Art in the Age of Mechanical Reproduction is an influential article by Walter Benjamin underlying various fields like cultural theory, mass media theory, architectural theory and art
history. In order to convince that art theory would be helpful for the formulation of revolutionary requirements in politics of art. In the absence of any traditional, ritualistic value, art in the age of mechanical reproduction would inherently be based on the practice of politics. In this article written by Benjamin, at the beginning the Marxist theory was used in the society construction and the status of art in Capitalism, Benjamin presented a clear and accurate conception of capitalistic production and show what could be expected of capitalism in the future.
他认为,这种资本主义的生产方式必然导致无产阶级的强度越来越大,最终导致资本主义的压制。这意味着机械视觉再现的发展是通过模仿大师的艺术作品,尽管希腊铸造和冲压,木刻,蚀刻,雕刻,版画和摄影显示技术复制并不是一种现代的现象,然而现代的方法,使得在大规模生产更准确。这一过程最终更为明显的是在石头上设计的痕迹,而不是在木块上进行切割来更加突出。In his opinion, this capitalistic mode of production would definitely lead to the proletariat with increasing intensity, and eventually result in suppressing of capitalism. It means the development of mechanical visual reproduction was through copying the art work of master's, even though Greek founding and stamping, woodcutting, etching, engraving, lithographs and photography which demonstrate that technical reproduction is not a modern phenomenon like, however modern methods makes it possible for greater accuracy across mass production. This process was ultimately more distinguished by the tracing of designs on stone rather than incision on blocks of wood.
1.2 Benjamin’s important view for contemporary society, the art world, and sociology.对当代社会、艺术世界和社会学的重要观点
The Work of Art in the Age of Mechanical Reproduction can be regarded as a provocative and controversial work on the changing nature of art in western. Benjamin proposed that the changeable situation of class structure from the 19th to 20th century created a great art form for the mass.
The Work of Art in the Age of Mechanical Reproduction was written by Walker Benjamin in 1935. Firstly, the author argued that generally the advancement of mechanical reproduction was not always in a constantly way. He convinced that the importance of the presence in time and space which reproduction may lack of. Based on this view, the author considers the feature of authenticity as the “aura” of an art work, which can be shaped and withered in the period of mechanical reproduction. In the meantime, Benjamin claims that the expectation of the audience who desire to be closer to art through getting the reproduction which may actually damage the art work’s aura.
Content:
Summary
1.1 The brief overview of Cultural Industry
1.2 Benjamin’s important view for contemporary society, the art world, and sociology.
1.3 Walter Benjamin’s Position in Culture Studies and Culture Industry
Relevance
2.1 The Aesthetic Significance of Culture Industry
2.1.1 Walter Benjamin’s Optimistic View about the Active Role-play of the Audience
2.1.2 Walter Benjamin’s Negative Attitude
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