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论文作者:www.51lunwen.org论文属性:学术文章 Scholarship Essay登出时间:2015-03-02编辑:Cinderella点击率:10147
论文字数:4794论文编号:org201502052034267987语种:英语 English地区:澳大利亚价格:免费论文
摘要:本文研究了西方世界对阿拉伯世界,尤其是摩洛哥的刻板负面印象。
To watch such films one wouldn’t get an inkling that Morocco is a nation of 40 million or more people struggling with vital matters of identity, progress and stepping forward. Still the directors’ motives of these films are latent in their productions; there are many who directly and willingly scorn and deride Moroccans in public spheres. One of the most shocking examples or scenarios is that of the American director John Derick who had ridiculed the famous Moroccan film maker Abdurahman Tazi. In his interview with the American anthropologist Kivin Dwyer, A. Tazi recounts that dreadful experience which demeaned his pride and Moroccan dignity while working with J. Derick to film Bolero (1984). Unconsciously, J. Derick expresses and voices his latent preconceptions he learnt from early narratives and previous films once facing a difficulty in one of the shots: “what the hell am I doing here in this country [Morocco]? Why didn’t I go to Israel, where people are more civilized , where people are less like-savages” (Beyond Casablanca, 44). Such discourse and many other abusive experiences have been reiterated throughout Anglo-American feature films portraying and fetishizing Moroccans.
This incident of J. Derick and A. Tazi’s relationship does emphasize the ambivalence of the Anglo-American film maker’s discourse. Working together to shot a film does not mean they are the same for J. Derick. Interrogating and disclosing such relation-ship between self/ J. Derick and Other/ A.Tazi within discourse, Bhabha uses the term “ambivalence” to criticize such binary opposition, which provides us with an argument that recognizes the other as different. One of them is given local priority and a positive value, while the other is characterized as the absence of the positive attributes of the first (I). The other is thus denied; he is merely a negation of the I / self. However, this binary opposition is violated when the white man exposes the inferiority of the native and describes him as being perfectly recognizable. Of course, this tendency to appropriate and make the native recognizable is just to contain his threat and retain control over him. The example of J. Derick recognition of A. Tazi shows that the native/ A. Tazi would resemble and duplicate the white man/ J. Derick, but without really erasing the traces of his difference completely. He is doomed to remain, in Bhabha’s phrase, “almost the same, but not quite.”(The Location of Culture, 86).
With Bhabha self and other are drawn into a Lacanian mirror-image, where the other becomes a confirmation of the white man’s image of “superiority”. A long with this line of thought, from the psycho-analysis point of view, it is apparent that “the illusory self-production (of the I ) is a denial of rationality, complexity and dependence on the other.”(Colonial Fantasies ,7-8).We can say that true r本论文由英语论文网提供整理,提供论文代写,英语论文代写,代写论文,代写英语论文,代写留学生论文,代写英文论文,留学生论文代写相关核心关键词搜索。