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论文作者:www.51lunwen.org论文属性:学术文章 Scholarship Essay登出时间:2015-01-29编辑:Cinderella点击率:4186
论文字数:1503论文编号:org201501282047536388语种:英语 English地区:英国价格:免费论文
摘要:本文介绍了起源于英国的锐舞文化。代表着在Disco-Jockey打碟号召之下,打扮入时的年轻人,沉醉于DJ播放的新派跳舞音乐中,通宵达旦,热烈起舞的文化类型。
The club culture can be seen as being subversive in regard to the destabilization of the listener’s common sense perception and values. The loud music and the lights are aimed at taking the raver from the restraints of his/her body to a new altered state. They give in to the sublime flux of the unconscious hence being subversive towards the norm. This is what has led to the redefining of gendered and ethnic identities which break away from the social norm. Moreover, its subversions are illustrated by its characteristic loudness and repetitiveness of music which is contrary to slow soothing aspects of music (Thornton, 1995)
The rave culture is not entirely characteristically postmodern since its roots are strongly edged in some traditional genres. For example, housing was evident in the 1980s and is greatly linked to the rave culture. This is through its loud and repetitive music. Secondly, rock music which is a good example of the contemporary form of the rave culture is a traditional genre that has undergone evolution over the years. In this regard, while the rave culture may be very significant in the postmodern society, its cradle is tied in the traditional society as well (Henderson, 1997).
In conclusion, the rave culture has not only established itself as a culture but also attracted a number of audiences all over the world in the contemporary society. In the 1980s, it was greatly associated with youth but currently it shares a number of audiences not tied by age, gender, demography or race. It is temporary community that seeks to reinstate some of the lost qualities of culture. It is subversive with respect to sexual ideologies and social structure.
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