e height of popularity it did in the 30’s, 40’s, 50’s, 60’s, and 70’s, there are still great jazz musicians out there who touch the whole world, and there are still fresh ideas in Jazz.
However, there is a concern that Jazz’s multi-elemental character would bring about the disappearance of the unique American Jazz and the loss of its American features. After all, today, Jazz doesn’t only belong to the United States and it becomes the music of the world. In fact, nearly every country has its own style in Jazz for different cultural backgrounds. Jazz, like a melting-pot, is merged with new elements and cultures. As the hometown of Jazz, America is a melting-pot country and the waves of immigrants witness the multicultural development of American society, which, in turn, further promotes the fusion of Jazz with other music, thus leading to its multi-elemental development. In this sense, Jazz’s multi-elemental development truly reflects the social characteristics of America. At the same time, the harmonic fusion of different elements in Jazz also shows the coexistence of different cultures, which accelerates the multicultural development of American Society. Therefore, Jazz serves as another melting-pot in which different elements coexist harmoniously to fully present its charm and its reflecting feature.
Conclusion
From the analysis, it is obvious that in spite of different characteristics in different periods of time and its multi-elemental development in the last few decades, Jazz, as a mirror of American society and culture in the 20th century, remains unchanged.
In recent years, technology helps Jazz improve itself in instruments of performance, recording equipments in the beginning, but end up destroying its original feature in the end, making Jazz lose its pure American uniqueness. However, as Frank Zappa once said “Jazz is not dead, it just smells funny” (Broukal 98), Jazz may not have been dead, but it is defiantly in a coma. In the future there are still great Jazz musicians standing out with fresh ideas and hot spirit. Although it is very likely that Jazz will not reach the artistic height it did in the 1920s-1970s, with the development of the society, it will become even more popular and be accepted by more people because of its multi-elemental and multi-cultural feature。
Therefore, Milada Broukal makes a comment on the development of Jazz, “Jazz right now has hit the bottom of the bell curve and has nowhere to go but up” (Broukal 86).
Focusing mainly on US expression from the 1920s to 1970s, namely from the period of cultural efflorescence associated with the 1920s through the black revolution of the 1960s, Jazz witnesses two broad eras of turbulent political and artistic change during which different forms of art in American art circle influence one another in unexpected ways and by unexpected means, and during which Jazz music provides a key metaphor and soundtrack. And in the 1980s to 1990s, Jazz escapes the dark shadow of wars and has new meanings, which results from the development of science and technology and social progress, and takes on a tendency of multi-elemental development. In this sense, Jazz is the embodiment of American society and culture and its development and changes witness the progress of American society and culture. Jazz is not only a mirror of American society and culture but also is, in a large sense, a symbol of America. As for Americans, they have the Bill of Rights, the Constitution, an
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