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e dialogue is omitted. The novel goes on round the focus of an operation which is not pointed out what kind of is, however, the fact that the operation is an abortion one comes to the reader obviously through their dialogue; and there is no any words to describe the feelings of the two figures, but with the dialogue continues, the girl’s disappointment and the man’s fretfulness and so on are clear to the reader. As Hemingway said, what he omits is what he and the reader know. But in the literary circles, this omission art is condemned as a kind of art of avoidance. A famous American author depreciates Hemingway’s achievement in the literature, considering him as a second writer in the American literary circles, for he holds that Hemingway is always insisting on escapism in his works. In his words, Hemingway’s omission art is just an avoidance of life. But in fact, omission is not a simple thing that can be done at one’s pleasure, it relies on the rich life experience and the excellent ability in writing, by which Hemingway can exerts all his talents in omission art to create his Iceberg Theory. Hemingway’s Iceberg Theory is fully reflected by his Hills Like White Elephants, for under the concise language, there exists rich information and deep feelings. It is just the highlight of the Iceberg Theory. Conclusion There is no doubt that Hills Like White Elephants is one of the most classic short stories of Hemingway and it perfectly reflects his unique writing style. Particular experience makes an opportunity for Hemingway of creating a unique writing style with real-life dialogue, concise language, famous Iceberg Theory and so on, which can be all found in the Hill Like White Elephants. Looking back to his works, he revived the colloquial style in American literature. It is certain that the novels of Hemingway are simple in the surface, but actually full of emotion and art. He has the ability in conveying his information with simple words. Although there are many criticisms about Hemingway’s style, it can not be denied that Hemingway purifies the literary circles with his unique writing style, the influence of which is not only in American but also all over the world. Bibliography [1] David Lodge. Analysis and Interpretation of the Realist Text: Ernest Hemingway’s “Cat in the Rain”[C]. Zhang Zhongzai, Wang Fengzhen, Zhao Guoxin. Selective Readings in 20th Century Western Critical Theory. Beijing: Foreign Language Teaching and Research Press, 2002. [2] Honore de Balzac. Old Goriot[M]. Beijing: 中国对外翻译出版公司，2005. [3] Jacqueline Kopp. Symbols of Darkness and Light in Hills Like White Elephants [D]. Richmond: J. Sargeant Reynolds Community College, 2004. [4] Liu Ying. Hemingway’s use of Language in Hills Like White Elephants [J]. Journal of Urumqi Vocational and Technical University, 2005(4). [5] Li Yixie and Chang Yaoxin. Selected Readings in American Literature[C]. Henry James. The Ambassadors. Tianjin: 南开大学出版社，1991. [6] Long Maozhong Yan Jinglan and Wang Hui. The Quintessence of English and American Literature---A Reader’s Guide [C]. Ernest Hemingway. Hills Like White Elephants. Shanghai: 华东理工大学出版社，2004. [7] Long Maozhong Yan Jinglan and Wang Hui. The Quintessence of English and American Literature---A Reader’s Guide [C]. Henry James. Daisy Miller. Shanghai: 华东理工大学出版社，2004. [8] Myriah Pirhala. Symbolism and Hills Like White Elephants [D]. Richmond: J.Sargeant Reynolds Community College, 2004. [9] Ping Lijun. H