论盖茨比悲剧的必然性 [9]
论文作者:佚名论文属性:短文 essay登出时间:2009-04-04编辑:黄丽樱点击率:14445
论文字数:6736论文编号:org200904040851015293语种:英语 English地区:中国价格:免费论文
关键词:Gatsbythe American dreamtragedypersonification盖茨比美国梦悲剧化身
e direction could not merged together. Followings indicate it:
“The caterwauling horns had reached a crescendo and turned away and cut across the lawn toward home. I glanced back once. A wafer of a moon was shining over Gatsby’s house, making the night fine as before, and surviving the laughter and the sound his still glowing garden. A sudden emptiness seemed to flow now from the windows and the great doors, endowing with complete isolation the figure of the host, who stood on the porch, his hand in a formal gesture of farewell.” (Fitzgerald, 2002: 66)
The phrase is a description with profound meaning. It makes people to come to realize the fickleness of human relationships and to feel the desolation and depression, and makes people feel his endurance of desire for ideals and inner pain. He lonely stood on the porch, his hand up in formal gesture of farewell, which made his figure outstanding protrusion and conspicuousness.
Therefore, the obstinate, foolish, ignorant and innocent characters are destructive characters, and they make Gatsby’s tragedy become more possible.
IV. The Decadent and Ruthless Social Reality
Superficially, Gatsby was only the sacrifice of a tri-angle love, nonetheless, the author did not only describe fate that a young and penniless man spent all his energy earning enough money and then won the lost real love, but what’s more important, deeply reacted to the social reality the author lived in, and revealed American complex modern experience and sharp social contradiction, namely, it was the struggle between the New Bourgeoisie and the old bourgeoisie whose statuses were stable. After the World War I, American value concepts changed greatly and were different from before. In people’s mind, they thought that money took God’s place, the whole traditional order was collapsed, and Fitzgerald once summarized people’s characters at that time as “all Gods have died, all the wars have been over, and all the faiths have faded away.”(Fitzgerald, 1991: 253) American people living in Jazz Age looked down on the traditional faiths and revealed against the moralities and customs that their ancestors used to abide by.
A. Cruel social Society of U.S.A
In the society of the lost ideals, Gatsby was a hot and romantic idealist, and his marvelous genius to the hope and romance made him turn a blind eye to American cruel social reality and desperately sought after impractical romantic love, even tried redeeming his lost pleasure together with Daisy in the past by a plenty of money; besides, he still obstinately believed that one person could fulfill the dream through his own ideal by hook or by crook, and even if he met huge trouble or problem, he would take his heart to fulfill his own dream with all his efforts, whereas, the power of opposing Gatsby was bourgeoisie groups represented by Tom and Daisy. The novel really responded to the struggle for statuses between the new noble men and the old groups. Tom and Daisy were extreme egoists and real materialist, Tom asserted in public “this fellow has worked out the whole thing. It’s up to us who are the dominant race, to watch out or these other races will have control of things,” (Fitzgerald, 2002: 15) while Daisy was same to echo others’ opinions. In Tom’s eyes, though Gatsby was only nobody whose life story no one knew, he who was a young magnate was aggressed by Tom who never took a casual attitude to Gatsby since he knew Gatsby. Gatsby wan the absolute victory when he comp
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