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r popular country music which sold 72 million. And in March 1999, MTV featured a five-day hip hop retrospective that looked back on the genre, played rockumentaries on the main figures, engaged in panel discussions and demonstrations of DJ and MC style, and played top rated songs of the "old school" and "now school," and the top twenty-five rated rap music videos of all time. (back) 4. As Ferguson and Rogers write: "the combination of social-spending cuts, other budget initiatives, and the massively regressive tax bill produced a huge upward distribution of American income. Over the 1983-1985 period the policies reduced the incomes of household making less then $20,000 a year by $20 billion, while increasing the incomes of households making more then $80,000 by $35 billion. For those at the very bottom of the income pyramid, making under $10,000 per year, the policies produced an average loss of $1,100 over 1983-85. For those at the top, making more than $200,000 a year, the average gain was $60,000. By the end of Reagan's first term, U.S. income distribution was more unequal than at any time since 1947, the year the Census Bureau first began collecting data on the subject. In 1983, the top 40% of the population received a larger share of income than at any time since 1947" (1986: 130). (back) 5. On rap as a modernist genre, see Gilroy 1994 and Kellner 1995a. While one could read the highly elaborate productions of Ice-T and Ice Cube and the entire work of Public Enemy as deploying modernist cultural strategies of creating a unique voice and style, of producing a distinctive vision of the world, and envisaging radical cultural and social change in the mode of the modernist avant-garde, there are also distinctive postmodern motifs in rap, as we will stress in the following analysis. (back) 6. In the mid-1980s, MTV came under heavy fire for not playing enough black music. They rectified this situation by featuring soul music and rap in regular time-slots. Beavis and Butt-Head too have expressed their appreciation for rap, albeit often with tongue-in-cheek, as they playfully satirize its language and dance style (with Butt-Head mimicking doggy-style sex spiced with spanking). They also can easily spot a white negro like Vanilla Ice, whom they devastatingly dismiss with only a contemptuous glance at one another. Yet the more politically explosive music videos like Public Enemy's "Shut it down!" are not shown on MTV or other mainstream musical venues. Yet MTV's showcasing of rap, culminating in a five-day March 1999 focus on rap and Hip Hop culture, has done much to circulate rap/hip hop as a global popular. (back) 7. Black paranoia is evident even in mainstream Black celebrities like Bill Cosby who in a 1991 interview on CNN's Showbiz Today stated: "AIDS was started by human beings to get after people they didn't like." For Public Enemy's version of this belief, check out the song "Race Against Time" on their 1994 album Muse Sick-N- Hour Mess Age. (back) 8. KRS ONE's article "Stop the Violence Movement" is published in Rap Sheet (August 1994): 14. (back) 9. He provided this defense in a 1996 MTV interview "Snoop Raw" and in a Playboy interview, October, 1995: 60. (back) 10. A book on a Canadian serial murderer who tortured and killed young women indicated that he constantly listened to rap music as he performed his vile acts (Burnside and Cairns 1995: 265ff), and an account of a gang rape by a women who suffered it indicates