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论文作者:www.51lunwen.org论文属性:学期论文 termpaper登出时间:2015-07-17编辑:Cinderella点击率:14943
论文字数:5394论文编号:org201507162229284380语种:英语 English地区:美国价格:免费论文
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摘要:本文以美国建筑师赖特的话语“建筑的真髓在于空间”开篇,探讨了空间的外在形式结构与内在的隐喻意义。
What is happening above is actually personalising your own space. This has two meanings to it: one is to personalise it and the other is to personify it. The latter is the main point in this whole essay, the living space representing the person who created it with a hint of the creator's being in every corner of the space. This is why we can relate better to our own houses (personal space) than the outside world. But all in all to personalise the space, you personify it and to personify it, what you are doing is simply personalising that living space of yours. This is crucial in understanding the spaces created, the reasons for creating these spaces and how others perceive these spaces (personifying it).
'This same conception is expressed in Greek columns by a slight outward curvature of profile, the 'entasis' which gives an impression of straining muscles - a surprising thing to find in a rigid and unresponsive pillar of stone.' (Rasmussen, 1959) This is exactly what happens when we are personifying our own personal space. To personify a thing or the entire space so that it overflows with your being, so that it tastes, smells and feels like you, is so amazingly overpowering over a person who owns it personally. None other than the owner can feel the sense of belonging and comfort created in that amount of space. You own that space and it completely belongs to you, you can even see yourself in that space, you are the space and the space is you. 'Even civilized people more or less consciously treat lifeless things as though they were imbued with life.' (Rasmussen, 1959)
Designing one self's own space to make sure it is unique and truly belongs to you depends very much on your background, interests and expertise. This will make it special and personalised to the person with regards to his or her living space. But nowadays architecture designs are restricted by so call Style and Taste - 'Superficial Cosmetic' Professor Colin Stansfield Smith. This problem shows not only how things should be built but also what should be built. 'Today, in our highly civilized society the houses which ordinary people are doomed to live in and gaze upon are on the whole without quality.' (Rasmussen, 1959) This is also why some important and significant buildings are 'monuments'; some are considered 'architecture' while the rest are simply termed 'buildings'.
In order to prevent this from happening, we need to have an understanding of the living space. Understanding living space does not only mean the way it looks or its construction methods and the materials used. 'Understanding architecture does not mean just the way they look but the creative process of how the building comes into existence and how space is utilized.' (Conway, 1994) We have to visit the actual buildings, pay attention to the processes whereby it came into being, experience the interplay of light and shade, the creation of form and space, appreciate the size and shape of spaces created and on top of these, how the living space is utilised. We are looking at the Interior Beings. '本论文由英语论文网提供整理,提供论文代写,英语论文代写,代写论文,代写英语论文,代写留学生论文,代写英文论文,留学生论文代写相关核心关键词搜索。