西方美声唱法对中国民歌的影响 [3]
论文作者:www.51lunwen.org论文属性:硕士毕业论文 thesis登出时间:2016-04-20编辑:anne点击率:9702
论文字数:13208论文编号:org201604161908349581语种:英语 English地区:挪威价格:$ 132
关键词:西方美声唱法中国民歌
摘要:本研究主要探讨中国民族唱法美声唱法的影响,以这两个声乐风格为研究对象。
inging should be combined with the need of works not like painting scoop, perfect tone should be built on the basis of the natural emotion, perfect legato and works with elements of drama staccato phase combined to reflect the rich ethnic flavor, full use of the resonance cavity should not be virtuoso of the capital, but consistent with the connotation of the works. So for reference and study the Bel Canto technique is successful or not, depends on the thinking and the right choice, a good technique is important, if only for the fundamental skills and learning will lose root and direction, is tantamount to asking for the impossible. Therefore, in studying and reference at the same time, we must firmly base on the position of folk singing style, the language barrier is good at on the basis of well-developed skills, a good grasp of folk vocal music charm when singing different styles and different ethnic vocal works, should seriously make good effort from top to bottom in the language to reflect the distinctive folk singing style.
Pay attention to understanding of the differences between Chinese and western culture helps us fundamentally to recognize the unique value of the folk singing style; for the specialized study of national vocal learners, their learning is not confined to vocal music, but to erudite wide, focusing on Bel Canto and learn from other outstanding factors.
Create a national vocal music with Chinese characteristics, it is a huge project, need generations of musicologists, long-term close cooperation composer, singer and vocal educator and tireless efforts to complete. As the old saying goes, “little by little one goes far', we cannot expect to these issues have been aware of for posterity to solve. Responsible singer should go beyond any limitations that are not conducive to the development of national vocal music, quickly into the big trend in today's world cultural exchanges in order to enhance national cultural self-confidence, and thus deeply appreciate the position and role of national vocal music in the world. Hope china's national vocal music under the influence of Bel Canto fully liberates her unique light, become an independent part of world’s vocal music.
Referencing文献
Central Conservatory of Music Duey, P.A. 1951. Bel Canto in its Golden Age- A Study of Its Teaching Concepts. New York: Duey Press, pp: 3-12.Grove, George 2001. The New Grove Dictionary of Music and Musicians. Second edition. London: Oxford University Press, p: 161.
Elliott, Martha 2006. Singing in Style: A Guide to Vocal Performance Practices. Second edition. America: Yale University Press, p:126.
Mousike, Henry George Liddell, Robert Scott, A Greek-English Lexicon, at Perseus.
Liu, Jingzhi 2011. A History of School Music Curriculum In China. Shanghai: Shanghai Conservatory of Music Press Co., Ltd, p:29.
Niu, Qiang 2009. Circumstances and Thoughts of Bel Canto in China. - Yellow River of the Song.Vol. 13, pp: 100-101.
SchimmelpenninckAntoinet 1997.Chinese folks songs and folk singers; Shan'ge traditions in southern Jiangsu. Leiden: CHIME Foundation.
Robert 2013. Bel Canto – A Performer's Guide. London: Oxford University Press, pp: 3-4.
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