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论文作者:www.51lunwen.org论文属性:硕士毕业论文 thesis登出时间:2014-08-08编辑:felicia点击率:20642
论文字数:8719论文编号:org201408071314355255语种:英语 English地区:中国价格:免费论文
关键词:音乐付费音乐音乐和娱乐产业Musicfree musicmusicology
摘要:本文是一篇音乐学留学论文。在数字化的时代,音乐的使用、音乐的文化和免费音乐的价值都是极为重要的。过去十年间,音乐产业迅速发展,带来不同的文化体验,下载免费音乐长大的一代孩子仅仅会通过互联网找到他们想要的资源和娱乐内容,认为他们是免费的,他们不能接受这些娱乐方式开始收费的情况。本文主要以免费音乐文化为出发点,分析音乐文化的变迁。
Customers can access many different types of products, again in the comfort of their home, with the use of the internet. Many potential customers choose to browse and buy online as opposed to traipsing around the high street shops to buy their products, apart from the percentage of buyers who like to feel what they buy and see the product upfront. This rationale however, is the complete opposite in relation to music. Instead of endlessly looking at CD covers for images and song titles to convince us whether or not to buy that particular CD, and the obvious worry that we may not like what we end up hearing, the internet offers customers previews of tracks from singles and albums assuring us of what we are buying. Despite controversial views on album un-bundling, it’s apparent that customers feel they don’t want to be forced into buying some music they don’t like in order to receive music they do like.
It’s possible to say that advances of new technologies accompanied by the internet is making music more diverse and democratic, but is it the music or peoples attitudes who know no better than to use all means necessary to attain their music. It’s almost become second nature for many consumers and growing youth cultures to turn straight to the internet or their mobile phones, iPods and mp3 players to listen to and get the music they want rather than understanding the financial processes involved within music production and therefore, pay for the product. I don’t necessarily think the actions of such activities are undergone by the public because of a lack of respect towards artists and music itself, but because attitudes in society have changed, with so, the value of music.
Chapter 3 - (‘My little hobby’ and the value of today’s music)
“Within studios, the advent of synthesisers and cheap studio software has blurred the established distinctions between musicians, composers, engineers and producers to the point where they may disappear, as recording technology has advanced well beyond the point where the main purpose is to ‘record’ a performance”.
(Scott, D 1995 p.210)
According to Brian Eno:
“There’s been a break between the traditional idea of music and what we now do on records. It’s now possible to make records that have music that was never performed or never could be performed and in fact doesn’t exist outside of that record”.
(Eno, B. 1983:16 cited in Scott, D 1995 p.210)
In 2007 Thom Yorke and the other founding members of Radiohead released a path-breaking album which may revolutionise the way bands and artists sell their music to their consumer audience. The band quit their record label shortly before deciding to sell their music without the help of their long time own本论文由英语论文网提供整理,提供论文代写,英语论文代写,代写论文,代写英语论文,代写留学生论文,代写英文论文,留学生论文代写相关核心关键词搜索。