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论文作者:www.51lunwen.org论文属性:硕士毕业论文 dissertation登出时间:2014-07-16编辑:felicia点击率:22292
论文字数:10216论文编号:org201407161341286555语种:英语 English地区:中国价格:免费论文
关键词:好莱坞主流电影伊斯兰男人Hollywood cinemamainstream Hollywood cinemaIslamicArabic
摘要:这是一篇美国留学论文。随着经济水平的不断提高,人类的精神文化要求越来越高,在好莱坞主流电影中,刻板的伊斯兰人和阿拉伯人形象已经不能适应电影的发展要求。本文以伊斯兰人形象为例,试图打破不同文化之间的差异性和限制性,以促进文化交流和好莱坞电影文化的发展。
However, this represents nothing novel: Pinocchio, for example, (released in 1940),used the same comparison of American inflected ‘good’ characters pitted against the then Italian voice of the incarnation of evil. Nevertheless, the overall sense of prejudice prevalent in the film led the New York Times (1993:18) to declare that, had the film been made at the cultural expense of the Jews or African Americans as opposed to Arabs, then the movie would never have been produced.
With regards to the song, Arabian Nights, the lyrics were changed tread: “where they cut off your ear if they don’t like your face, “shortly before the line; “it’s barbaric, but hey, its home.” This clearly enraged many Arab commentators who saw the lyric as unnecessary emphasis on the religious Islamic right of revenge in comparison to the Christian doctrine of “turn the other cheek.”
Words, lyrics, accents and caricatures are clearly all open to interpretation. However, the fact that many Muslims felt aggrieved at the film ought to be enough to suggest that the makers of Aladdin were somewhat insensitive in their final execution of the product. What is beyond doubt is the cultural reach of Aladdin, and indeed all of Disney’s products. They are popular not just with children but also amongst adults and teenagers.
In Islamic countries such as Indonesia and Malaysia too, Disney is held in particularly lofty esteem, in spite of Aladdin appearing to mock strict Muslim ideology. By mid-April 1993,the film had grossed over $200 million in the USA alone, underscoring its vast cultural power. Certainly, White and Winn (1995:2) see the power of Disney as immense and they argue that its appeal, and therefore the power of its image of Islamic men, is greater than another form of filmic expressionism.
“Aladdin is one more successful attempt by Disney to Westernize, and even Americanise, an artistic product of another culture. As we saw in the Gulf War, other cultures tend to be valued in the West in relation to their usefulness to the West; the Arabic fairy tale of Aladdin became raw material for the Disney machine, which produced not inauthentic depiction of an Oriental culture and its products, but an American cartoon depicting the Arabic world and its people as both exotic and humorous. The emancipated genie, with his Goofy hat another Disney World paraphernalia, is not only an advertisement for Walt Disney. Incorporated, he also serves as an unintended symbol of the ‘Mickey Moussing’ of the world and its various cultures.”
True Lies (1994), directed by Hollywood st本论文由英语论文网提供整理,提供论文代写,英语论文代写,代写论文,代写英语论文,代写留学生论文,代写英文论文,留学生论文代写相关核心关键词搜索。